Nithya's work is informed by research techniques developed while completing a Masters in Therapeutic Arts Practice and 15 years of training in Bharatanatyam – an Indian classical dance form. Incorporating performance, installation, and video art to create multi-layered and metaphoric meanings, her artistic practice explores critical theories regarding migration, nationalism, and decolonisation.
With the support of a Cultural Trust grant, Nithya undertook a residency and interdisciplinary research project at the Hangar Centre for Artistic Investigation, Lisbon, Portugal. The project, 'An Indefinite Series of Discontinuous Acts’, explores how arts-based research methods can deepen inquiry into critical theory and facilitate creating and disseminating inclusive and multi-sensorial forms of knowledge.
While some of the performative outcomes originally intended for the residency were unable to occur due to COVID-19 restrictions, Nithya translated her choreographic ideas into videos, essays and projections for the exhibition.
The residency and mentorship of curator Cristiana Tejo created an environment in which Nithya could gain a greater understanding of the professional standards, technical, theoretical and choreographic rigors of presenting interdisciplinary work. Further, she was able to develop her project while connecting and collaborating with artists and researchers whose practices engage in similar themes and methodologies, gaining clarity on where her practice sits within the international landscape.